920 pp, color figures, hb, articles in English, French and Turkish.
TABLE OF CONTENTS
Foreword (Minister of Culture and Tourism, Republic of Turkey)
Introduction (Prof. Dr. Fr. François Déroche)
Foreword (Prof. Dr. Zeren Tanındı)
ICTA Committees
YENİŞEHİRLİOĞLU Filiz (Ankara) A digital Database for Tiles at the Topkapı Palace Museum storage rooms.
ADIGÜZEL, Hatice (Istanbul), A Local Interpretation of Westernization in Ottoman Architectural Ornamentation: Said Afandi Al-Quwatli House in Damascus .
AĞIR, Aygül (Istanbul), Osmanlı Imparatorluğu ve İtalyan Devletleri Arasında Mimari Malzeme Değişimi (16. ve 17.Yüzyıl)
AKAR, Tuba (Mersin), Architecture in the Paintings of Turkish Bazaar Painters
AKKAYA, Arzu (Istanbul), The Reflection of 19th and 20th Centuries Art Styles on Ottoman Art Journals
ALPAGUT, Leyla (Gölköy/Bolu), History, Culture, Art and Architecture for Arif Hikmet Koyunoğlu
ÁLVAREZ DOPICO, Clara Ilham (Valencia), Les carreaux de céramique des ateliers tunisois: la formation d’un art turquisant en opposition aux influences européennes
AOKI GIRARDELLI, Miyuki (Istanbul), Léon Parvillée’s early years in Istanbul: Cezayirlioğlu Mansion and the Church of Surp Krikor Lusavoriç in Kuzguncuk
APOSTOLOU, Irini (Athens), La présence de l’Empire ottoman dans le fonds photographique de la Société de Géographie de Paris
ARTAN,Tülay (Istanbul), Two Artists, One Vantage Point Pera/Istanbul in the 1740s.
ATBAŞ, Zeynep (Istanbul), Osmanlı Aydını Mehmed Emin Efendi ve Murakkaları.
BABAOĞLU-BALKIŞ, Lale (Istanbul), Traugott Fuchs: A romantic in the Orient. Istanbul as portrayed through the eyes of a German émigré scholar.
BATUR, Afife (Istanbul), A British architect in Istanbul: William J. Smith and the Taşkışla Imperial Barracks of Mecidiye.
BAYRAKTAROĞLU, Suzan (Istanbul), Gelenek ve İnançla oluşan Koleksion.
BIÇER-ÖZCAN Şehnaz (Istanbul), The Header decoration in some Uighur Gold Leafs: as analytical Approach on floral samples of 8th-11th Centuries.
BIEDRONSKA-SLOTA, Beata (Cracow), Turkish Carpets in Poland. Their Traditional meaning and significance for Polish Art.
BOUCHON, Chantal (Paris), Adalbert de Beaumont en Turquie. Textes et images autour de 1840.
BOULANGER, Patrick (Marseilles), Hugo d’Alési, le père de l’affiche touristique, entre Orient et Occident .
BROILO, Federica A. (Mardin), Copies and originals: some little known Italian imitations of ottoman pottery in the Albrizzi Collection.
BUTTAY, Florence (Bordeaux), Les dessins de Giorgio del Giglio « Pannilini » entre Orient et Occident.
CAIOZZO, Anna (Paris), Rêves célestes: quelques notes relatives à la représentation des cieux du monde seldjoukide au monde ottoman.
ÇAKIR-PHILIPP, Filiz (Berlin), A Question of Protectoral Function - Form and Ornament of a Special Group Armour in the Museo Stibbert, Florence.
ÇAL, Halit (Ankara), Animal style in Turkish Door Handles.
CANAV-ÖZGÜMÜŞ, Üzlifat (Istanbul), Ottoman Glass finds from Marmaray Excavations at Sirkeci.
CARSWELL, John (London), Collecting Kütahya two pioneers: Ralph Brocklebank & Alexandre Benaki.
CEPHANECIGIL, Gül (Istanbul), Osmanlı Camilerine Rasyonel bir Bakış: Alphonse Gosset ve “Istanbul’un Eski Kilise ve Camileri”.
DEMIRSAR ARLI, Belgin (Istanbul), Depictions of “Nalın-ı Şerif ” (Holy Patten) on Ottoman tiles .
DUMAS, Juliette (Istanbul), Construire envers et contre tous. Le patronage architectural des princesses ottomanes face aux critiques politiques (XVIe-XVIIIe siècles).
DÜNDAR, Abdulkadir (Ankara), Osmanlı Mimarisinde Mimar Ağalar ve Defterleri.
DUTOIT Christophe & MAURON, Christophe (Bulle), Girault de Prangey, auteur des plus anciennes photographies connues d’Asie Mineure et de Constantinople (1843) .
ERKMEN, Aslıhan (Istanbul), Sultan Portraits of Ashik Chelebi’s Mesha’ir al-Shu’ara.
ERSEN, Leyla (Istanbul), Criticism of Orientalism through the Example of Artworks by contemporary Turkish feminist artists; Nil Yalter, Şükran Moral and Gülsün Karamustafa.
FRANÇOIS, Véronique (Aix-en-Provence), European Pottery Imports in Ottoman Bilad al-Sham (18th-19th centuries): Archaeological Data and Written Sources.
GAUTIER, Antoine & DU CHALARD, Louis (Paris), Le relevé du panorama de Constantinople du peintre Pierre Prévost (1764-1823).
GERMANER, Semra (Istanbul), Les peintres et les pachas.
GILET, Annie (Tours), Une galerie ottomane à Rome de 1787 à 1790: l’atelier de Louis-François Cassas (1756-1827),
Piazza di Spagna.
GIRARDELLI, Paolo (Istanbul), Ottoman roots, European developments: comparing the French and Venetian palaces in Beyoğlu.
GÖK GÜHRAN, Sevinç (Izmir), XVI. Yüzyıl Seramik Sanatında Yeni Formlar Yeni Süslemeler; Manisa Gülgün Hatun Hamamı ve Balat İlyas Bey Külliyesi Kazı Buluntuları
HAMADEH, Shirine (Houston Texas), Aesthetics of Novelty in 18th Century Istanbul.
HARTMUTH, Maximilian (Istanbul), The visual strategies of late Ottoman provincial strongmen and the problem of the didactic use of images in Islam.
IBRAHIMGIL, Mehmet Z. (Ankara), Stèles funéraires de l’époque ottomane sur l’île de Rhodes.
KANETAKI, Eleni I. (Roma), Tracing the Ottoman Architectural Character of the Turkish Baths in the Greek Lands
KAYA, Şennur (Istanbul), Fenerbahçe Çini ve Porselen Fabrikası.
KESKINER, Bora (London), Sultan Ahmed III’s Calligraphy on Tekfur Sarayı Tiles.
KRODY, Sumru Belger (Washington), Tulips to Roses: Rethinking Ottoman Turkish Embroidery.
KULA SAY, Seda (Istanbul), A post-1908 project of Vallaury: customs house in Thessaloniki.
KUNDAK, Ali Nihat (Istanbul), The influence of European figures on the miniatures of “Tercüme-i ‘İkdü’l-cümân fî târîh-i ehli’z-zamân”.
LE THIEC, Guy (Montpellier), “The Great Turk in All His Greatness”: Iconography and Cultural Stakes of the portraits of Süleyman Ist in Renaissance Europe .
MAHIR, Banu (Istanbul) & YILDIZ Netice (Cyprus), An Illuminated “Mathnawi al-Ma’nawi” of Jalaladdin al-Rumi Kept in the National Archive of the Turkish Republic of Northern Cyprus .
MAJER, Hans Georg (Munich), An Extraordinary, Illustrated, Ottoman “Silsilenâme” from the Reign of Ahmed I (1603-1617)
MAURY, Charlotte (Paris), Remarques sur la céramique architecturale d’époque ottomane à Damas .
MAZLUM, Deniz (Istanbul), Osmanlı Arşiv Belgeleri Işığında 18. Yüzyıl Osmanlı Mimarlığında Avrupa Kökenli Malzeme Kullanımı.
MORONVALLE, Jeff (Amiens), La miniature turque et la gravure de mode française au siècle des Lumières. L’exemple du “Recueil Ferriol” (Paris, 1714).
MOUSSA, Sarga (Lyon), Le regard d’un artiste français sur l’Égypte ottomane. Le voyage en Orient de Frédéric Goupil- Fesquet (1839-1840).
ÖNKAL, Hakkı (Izmir), Thoughts on podiums (seki) in buildings referred to as imaret-zawiyah and in front of mihrab niches in mosques.
ORLANDI, Luca (Istanbul), An Italian pioneer on Ottoman architecture studies in the Dodecanese Islands: Hermes Balducci (1904-1938).
ÖZBIYIK, Kadriye (Istanbul), Le Trésor des Ambassadeurs du Palais de Topkapı.
ÖZEL, Mehmet Kerem (Istanbul), An Evaluation of the Design of Turkish War Memorials in the Context of Architecture-Sculpture Relationship .
ÖZER, Mustafa (Istanbul), Edirne Yeni Saray’ın Avadis Benliyan tarafından Hazırlanan 1905 Tarihli Vaziyet Planı Hakkında Düşünceler.
ÖZKARCI, Mehmet (Kahramanmaraş), Niğde Türbelerinin Türk Mimarisindeki Yeri ve Önemi .
ÖZKÜL FINDIK, Nurşen (Ankara), Unglazed Pottery (Impressed) Production in a Medieval City, Hasankeyf.
PALUMBO-FOSSATI-CASA, Isabella (Amiens), Gaspare et Giuseppe Fossati, architectes et peintres à Constantinople (1837-1857).
PAPP, Adrienn (Budapest), The position of the buildings of Buda and Pest dating to the age of the Turkish Occupation of Hungary in the architecture of the Ottoman Empire.
PAQUOT Gérard, QUEYREL François, ZAMBON, Alessia (Paris), Une vue “pittoresque” de quelques antiques de la collection Choiseul-Gouffier à Constantinople .
PEKTAŞ, Kadir (Pamukkale) & BAŞ, Gülsen (Van), Bitlis Kalesi Kazısı’nda Ele Geçen Avrupa Bağlantılı Buluntular.
PELVANOĞLU, Burcu (Istanbul), The art scene in Paris and Istanbul between to World Wars: interactions.
PFEIFFER-TAŞ, Şule (Ankara), The Coin Hoard of Ottoman Emir Süleyman in Tire Museum
PINGUET, Catherine (Paris), Abdullah Frères (1858-1899).
PINON, Pierre (Paris), Albert Gabriel et l’architecture turque
ŞAHIN TEKINALP, Pelin (Ankara), Palais du Trocadéro in Ayntab/Antep
SCHUCKELT, Holger (Dresden), The Turkish Chamber (Türckische Cammer) of the Electors of Saxony.
SEÇKIN Selçuk (Istanbul), Yalova Castles .
SERVANTIE, Alain (Brussels), Sur la « Description de la court du Grant Turc » de Peter Coecke d’Alost .
SINANLAR USLU, Seza (Istanbul), Hippolyte Dominique Berteaux and his journey to Istanbul in 1870’s.
SÖNMEZ, Zeki (Istanbul), Sinan Öncesi Osmanlı Mimarlığında Usta – Çırak – Baba – Oğul İlişkisi üzerine bir Üçleme
SOUSTIEL, Laure (Aix-en-Provence), Three Armenian tiles from Kütahya to Jerusalem.
STANKOVA, Lilyana (Paris), Ottoman Motifs in Christian Art in the Balkans (16th-17th centuries): Manuscripts and Metalwork
Szántó, Iván (Budapest), The Topkapı Saray Albums and Some Early Photographs in Budapest.
TEZCAN, Hülya (Istanbul), Some Observations on Ottoman Era Cotton Weaving in Diyarbakır.
TEZCAN, Turgay (Istanbul), Special Weapon Examples of Gifts Given to the Ottoman Palace through the Sultans’ Orders and the Diplomatic Gifts of European Emperors
TOPALLI, Elvan (Bursa), Jan Matejko’s Days in Istanbul and his Istanbul works
TOPÇUBAŞI, Mine (Çanakkale), Istanbul’daki Taşkışla Binasının 1853 Tarihli Keşif Defteri.
TÜRKANTOZ, Kayahan (Istanbul), The Reflections of the socio-cultural changes on the Turkish Tomb design of the Republican Era
ULUÇ, Lâle (Istanbul), The Representation of the Execution of the Safavid Begum from the Ottoman Historian Mustafa
Ali’s “Nusretname”.
ÜNALAN, H. Sibel (Aydın), Tarsus-Pozantı Kervan Yolu ve bu Yol üzerindeki Hanlar üzerine bir Değerlendirme
ÜSTÜNIPEK Mehmet (Istanbul), Documents on Turkish Painting exhibition in the International exhibition of UNESCO in1946: Turkish painting’s reconnection with Paris and its results .
ÜSTÜNIPEK, Şeyda (Istanbul), Documents on Léopold Lévy’s Istanbul period (1936-1950).
UYSAL, Ali Osman (Çanakkale), Akköy: un centre de céramique peu connu de l’époque des Beylicats .
VON KEMNITZ, Eva Maria (Lisbon), Portugal and the fashion of Turqueries.
YAKUSHKINA, Ekaterina (Moscow), Ottoman Imperial Style in Yemen Architectural Heritage. Problems of identification.
YAVUZ, Yıldırım (Ankara), European and local aesthetic influences on early modern Turkish Architecture.
YAZICI METIN, Nurcan (Istanbul), An Example of Ottoman Architecture in the Balkans. The Government office building in Thessaloniki.
YILMAZ, Leyla (Ankara), The Churches of late Ottoman period in Alanya
YOLTAR YILDIRIM, Ayşin (Cambridge), Codicology and illuminated endowment deeds of royal Ottoman women from the seventeenth to the nineteenth centuries
ZAMBON, Alessia (Paris), From Constantinople to Paris: the difficult « repatriation » (1787-1817) of the Choiseul-Gouffier collection
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Campaign Description
14th International Congress of Turkish Art (Paris, Collège de France, 19-21 September 2011)14th International Congress of Turkish Art (Paris, Collège de France, 19-21 September 2011)9789751736970